divadlo galerie kavárna

the white banners je adaptací stejnojmenné novely nodara bumbadze. jedná se o příběh o zazovi, mladém muži, který je neprávem obviněn ze zločinu a donucen k dočasnému pobytu za mřížemi, kde se setkává s celou škálou osobností. příběh se dotýká základních lidských témat – lásky, svobody nebo spravedlnosti. v anglickém jazyce s českými titulky.

the white banners je adaptací stejnojmenné novely nodara bumbadze. jedná se o příběh o zazovi, mladém muži, který je neprávem obviněn ze zločinu a donucen k dočasnému pobytu za mřížemi, kde se setkává s celou škálou osobností. příběh se dotýká základních lidských témat – lásky, svobody nebo spravedlnosti. v anglickém jazyce s českými titulky.

jednoho květnového dne v metru se protne 13 osudů… "trasa e? jaká trasa e? ta neexistuje!". víte,
že když jste něco neviděli, neznamená to ještě, že to neexistuje? ne? tak teď už to víte. p. s.
nezapomeňte si koupit lístek!

vstupné 200,-

samuel beckett’s classic tells the story of vladimir and estragon, two wanderers who meet at a tree in the middle of nowhere to wait for the man who will change everything – godot. although they aren’t sure exactly when he is coming, they know one thing for sure—godot is coming. the duo is temporarily sidetracked when a pompous, wealthy traveler named pozzo and his sniveling, servant, lucky, pass through. as the hours turn into days, they become less sure of where they are, why they are waiting, how much time has passed and whether or not godot is actually coming for them after all. still, they wait, just in case.
“nothing happens, nobody comes, nobody goes, it’s awful.” – samuel beckett

performing: lane davies, gregory gudgeon, david fisher and jared doreck

director lane davies

samuel beckett’s classic tells the story of vladimir and estragon, two wanderers who meet at a tree in the middle of nowhere to wait for the man who will change everything – godot. although they aren’t sure exactly when he is coming, they know one thing for sure—godot is coming. the duo is temporarily sidetracked when a pompous, wealthy traveler named pozzo and his sniveling, servant, lucky, pass through. as the hours turn into days, they become less sure of where they are, why they are waiting, how much time has passed and whether or not godot is actually coming for them after all. still, they wait, just in case.
“nothing happens, nobody comes, nobody goes, it’s awful.” – samuel beckett

performing: lane davies, gregory gudgeon, david fisher and jared doreck

director lane davies

samuel beckett’s classic tells the story of vladimir and estragon, two wanderers who meet at a tree in the middle of nowhere to wait for the man who will change everything – godot. although they aren’t sure exactly when he is coming, they know one thing for sure—godot is coming. the duo is temporarily sidetracked when a pompous, wealthy traveler named pozzo and his sniveling, servant, lucky, pass through. as the hours turn into days, they become less sure of where they are, why they are waiting, how much time has passed and whether or not godot is actually coming for them after all. still, they wait, just in case.
“nothing happens, nobody comes, nobody goes, it’s awful.” – samuel beckett

performing: lane davies, gregory gudgeon, david fisher and jared doreck

director lane davies

samuel beckett’s classic tells the story of vladimir and estragon, two wanderers who meet at a tree in the middle of nowhere to wait for the man who will change everything – godot. although they aren’t sure exactly when he is coming, they know one thing for sure—godot is coming. the duo is temporarily sidetracked when a pompous, wealthy traveler named pozzo and his sniveling, servant, lucky, pass through. as the hours turn into days, they become less sure of where they are, why they are waiting, how much time has passed and whether or not godot is actually coming for them after all. still, they wait, just in case.
“nothing happens, nobody comes, nobody goes, it’s awful.” – samuel beckett

performing: lane davies, gregory gudgeon, david fisher and jared doreck

director lane davies

samuel beckett’s classic tells the story of vladimir and estragon, two wanderers who meet at a tree in the middle of nowhere to wait for the man who will change everything – godot. although they aren’t sure exactly when he is coming, they know one thing for sure—godot is coming. the duo is temporarily sidetracked when a pompous, wealthy traveler named pozzo and his sniveling, servant, lucky, pass through. as the hours turn into days, they become less sure of where they are, why they are waiting, how much time has passed and whether or not godot is actually coming for them after all. still, they wait, just in case.
“nothing happens, nobody comes, nobody goes, it’s awful.” – samuel beckett

performing: lane davies, gregory gudgeon, david fisher and jared doreck

director lane davies

hudební lázeňská komedie od pramene. hudba: libor ulovec a csaba farkas, klavírní úprava a doprovod: jiří kolář. režie: jakub kolár

olivia, an attractive and talented but underappreciated mid-career writer, is unexpectedly trapped overnight in a secluded, snowed-in b&b with ethan, an equally attractive and wildly successful young blogger. her latest novel is an unsung masterpiece; his blog is being made into a movie. she prefers books; he prefers ebooks. she is anonymous; he has half a million twitter followers. but opposites soon attract – passionately – as each realise they want more of what the other has. but the closer they get, the more they must confront the murky side of ambition, success and wi-fi.
“look, i’m giving you another chance to show the world how talented you are. take it. it’s worth the risk.”
performing: taylor napier, laura baranik. director: jessica boone, guy roberts

an irreverent and brutal comedy about four fiery, renegade women whose lives collide during the french revolution. at the height of the reign of terror, playwright olympe de gouges, assassin charlotte corday, activist marianne angelle, and former queen marie antoinette plot murder, and try to beat back extremist insanity in paris. director andrew ruthven.

an irreverent and brutal comedy about four fiery, renegade women whose lives collide during the french revolution. at the height of the reign of terror, playwright olympe de gouges, assassin charlotte corday, activist marianne angelle, and former queen marie antoinette plot murder, and try to beat back extremist insanity in paris. director andrew ruthven.

pohár přetekl a české studentstvo se rozhodne hromadně emigrovat za lepším… kdo zachrání české školství? autorská komedie plné jazykového humoru, absurdních situací i nečekaných řešení problému.

při přípravě reformy se střetává nové se starým, probublává nekompetentnost na všech úrovních a jazyk mnohdy pozbývá smyslu. reformovat je zkrátka třeba za každou cenu, a to do nejvyšší možné míry.

hrají: o. bojková, j. darebný, a. gregor, k. hrubá, d. le cam, j. lelek, m. mařík, z. nuc, m. ondruch, p. šturm, j. volín, z. volínová

režie: pavel šturm

ceny vstupenek: 100 kč (studenti a zaměstnanci škol), 200 kč (lidé mimo školství), 500 Kč (ministr školství)

kjógen (v překladu „bláznivá“ nebo „umně vyšperkovaná slova“) reprezentuje komickou divadelní formu, která se vyvinula, stejně jako divadlo nó, z původně čínských her sarugaku. rozkvětu dosáhl tento žánr v polovině 14. století a v nepřerušené tradici je provozován do dnešních dnů. slovo „kjógen“ je samo o sobě většinou chápáno jako výraz označující samostatnou komickou divadelní hru, tradičně vkládanou mezi dvě hry divadla nó.

dokumenty zaznamenávající existenci frašek kjógen nacházíme v japonsku již ve 12. až 13. století, avšak opravdovým vybroušením prochází tento žánr v období edo (1600 – 1868), kdy díky trvající společenské poptávce po „ideálním dramatickém umění uspokojujícím kulturní život vládnoucí vrstvy samurajů“ mají protagonisté kjógenů dostatečné časové i finanční možnosti nerušeně pracovat na zdokonalování žánru i vlastní herecké techniky. výsledným produktem je pak komediální žánr, který se hloubkou zpracování hereckých postupů a estetickou úrovní výrazových prostředků blíží evropské opeře či vážné hudbě spíše než komediím, jak je známe z naší kulturní tradice. kjógen však není toliko historickým reliktem japonského středověku: právě kvůli své technické dokonalosti si dokázal nalézt zcela nové publikum i v moderním japonsku. od roku 2001 je kjógen jako žánr zařazen na seznam světového kulturního dědictví unesco jako “masterpieces of the oral and intangible heritage of humanity”.

cena vstupenek 250,- / 150,-

více informací na http://www.kjogen.cz/

předprodej online v síti goout: https://goout.net/cs/listky/kjogeny/vrnf/

olivia, an attractive and talented but underappreciated mid-career writer, is unexpectedly trapped overnight in a secluded, snowed-in b&b with ethan, an equally attractive and wildly successful young blogger. her latest novel is an unsung masterpiece; his blog is being made into a movie. she prefers books; he prefers ebooks. she is anonymous; he has half a million twitter followers. but opposites soon attract – passionately – as each realise they want more of what the other has. but the closer they get, the more they must confront the murky side of ambition, success and wi-fi.
“look, i’m giving you another chance to show the world how talented you are. take it. it’s worth the risk.”
performing: taylor napier, laura baranik. director: jessica boone, guy roberts

olivia, an attractive and talented but underappreciated mid-career writer, is unexpectedly trapped overnight in a secluded, snowed-in b&b with ethan, an equally attractive and wildly successful young blogger. her latest novel is an unsung masterpiece; his blog is being made into a movie. she prefers books; he prefers ebooks. she is anonymous; he has half a million twitter followers. but opposites soon attract – passionately – as each realise they want more of what the other has. but the closer they get, the more they must confront the murky side of ambition, success and wi-fi.
“look, i’m giving you another chance to show the world how talented you are. take it. it’s worth the risk.”
performing: taylor napier, laura baranik. director: jessica boone, guy roberts